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Atelier

A hall with light, dust control and time.

Marconistraat, Rotterdam. Not a high street, still reachable. Visits by appointment — that keeps the floor clean while film is going down.

Dark workshop with a premium car under directed studio lighting.

Hall

Two ramps. One inspection line.

Cars come in dry, do not sit under film next to an open roller door, and leave only once edges have set. Light is hard and movable: what a phone flash hides still stands here.

Chain

From intake to key handover.

  1. 01

    Scope

    Photos, year, intended treatment. We say no if the paint will not carry it.

  2. 02

    Intake

    Thickness, damage map, schedule. Written scope before we start.

  3. 03

    Atelier

    One object per ramp. No parallel ‘quick job’ next to PPF.

  4. 04

    Handover

    Inspection together, care on paper, edges and open points named.

Fewer cars

Capacity is deliberately low. Film and correction do not survive a production line.

Plain language

No self-healing myths, no nine years on a sticker, no ‘scratch-proof’.

Light as a tool

Handover happens under an inspection lamp, not mood lighting.

Dark workshop with a premium car under directed studio lighting.